Application of Chinese Traditional Lacquer Techniques in Contemporary Lacquer Painting
HuiYi Guan
Ph.D. candidate in School of Liberal Arts, Shinawatra University, Bangkok, Thailand
Thawascha Dechsubha
Asst. Professor Dr. in School of Liberal Arts, Shinawatra University, Bangkok, Thailand
Ph.D. candidate in School of Liberal Arts, Shinawatra University, Bangkok, Thailand
Thawascha Dechsubha
Asst. Professor Dr. in School of Liberal Arts, Shinawatra University, Bangkok, Thailand
Keywords: Lacquer Painting Art, Lacquering techniques, The Book of Lacquerwares.
Abstract
Aesthetics is a special form of human understanding of the world, which refers to the formation of a utilitarian, visual, and emotional relationship between humans and the world, that is, society and nature. The objectives of this research were to: (1) Investigate the contemporary Chinese lacquer painting from the perspectives of archaeology starting from the noumenon of design, art and fine arts. (2) Examine the development of contemporary Chinese lacquer painting from three aspects: people, objects and environment. (3) Aanalyze the development of contemporary Chinese lacquer painting from three aspects: people, objects and environment.