This research touches upon the mechanisms of the preparation and training of actors in Iraqi Image Theater, with director R. Welson as an example. It studies the artistic importance of Image Theater and how it supports Iraqi theater at the level of direction. The first chapter explores this problem by identifying the mechanisms of actor preparation. The second chapter, the theoretical framework, highlights the means of training employed by director Robert Wilson in Image Theater and the most prominent indicators concluded by the researcher. The third chapter reviews the attempts of Director R. Welson in Image Theater during rehearsals. The fourth chapter presents the most important findings, conclusions, recommendations, proposals, sources, references, and abstracts in English.