The Imagery in the Poetry of Tomas Tranströmer

Authors

  • Binoy Varakil

DOI:

https://doi.org/10.53555/ks.v10i2.4026

Keywords:

Imagery, Symbolism, Metaphor, Tomas Tranströmer, Modern Poetry, The Sorrow Gondola, Psychological Realism, Nature, Music, Epiphany

Abstract

This research article explores the profound and evocative imagery in the poetry of Tomas Tranströmer, a Swedish Nobel laureate whose work transcends linguistic, cultural, and existential boundaries. Renowned for his ability to transform the ordinary into the extraordinary, Tranströmer employs vivid metaphors, psychological insight, and natural symbolism to bridge the mundane with the metaphysical. Through an in-depth examination of selected poems from The Sorrow Gondol and other works, this study analyzes how Tranströmer’s imagery captures the silent spaces between reality and dream, self and nature, life and death. The article demonstrates that his poetic vision is not merely descriptive but revelatory—inviting readers into a meditative encounter with the ineffable. Ultimately, Tranströmer’s poetry redefines modern lyrical imagination, offering a contemplative vision rooted in clarity, compression, and transcendence.

Author Biography

Binoy Varakil

Assistant Professor Department of English St. Joseph’s College Devagiri, Kozhikode, Kerala

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Published

2022-07-22

How to Cite

Binoy Varakil. (2022). The Imagery in the Poetry of Tomas Tranströmer. Kurdish Studies, 10(2), 1240–1241. https://doi.org/10.53555/ks.v10i2.4026

Issue

Section

Articles