The Artistic Style of Paper Weaving Painting in Yongchun

Authors

  • Han Jiang
  • Nattapong Prompongsaton
  • Pat Kotchapakdee

DOI:

https://doi.org/10.53555/ks.v12i5.3458

Keywords:

Paper weaving painting, Artistic style, Yongchun, Fujian, China

Abstract

The paper weaving painting in Yongchun County, Fujian Province, China is a folk art form that starts with painting, then cuts and weaves. Based on the theory of Neo-Impressionism painting, this article studies the artistic style of paper weaving painting. After analyzing the production processes, artistic themes, and visual feature, it is believed that its colors are elegant and have a mosaic like fuzzy visual effect. Its artistic style is based on the theory of color segmentation, via interweaving entity and vacancy information, which limits visual tension, integrates ink painting art, cutting and weaving handicrafts into a composite arts and crafts, It expresses the rebellion against traditional art of artists, and love for local Yongchun, which is their hometown, and their desire for seclusion and tranquility.

Author Biographies

Han Jiang

Doctoral Candidate, Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen, Thailand

Nattapong Prompongsaton

Assistant Professor, Department of Design Faculty of Architecture, Khon Kaen University, Khon Kaen, Thailand

Pat Kotchapakdee

Lecturer, Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen, Thailand

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Published

2024-09-30

How to Cite

Han Jiang, Nattapong Prompongsaton, & Pat Kotchapakdee. (2024). The Artistic Style of Paper Weaving Painting in Yongchun. Kurdish Studies, 12(5), 1251–1267. https://doi.org/10.53555/ks.v12i5.3458