Academic Legacy of Modern Ukrainian Composers-Songwriters (Chamber and Piano Works)

Authors

  • Oleksandr Zlotnyk R. Glier Kyiv Municipal Academy of Music, L. Tolstogo Str., 31, 01032, Kyiv, Ukraine
  • Svitlana Borysova R. Glier Kyiv Municipal Academy of Music, L. Tolstogo Str, 31, 01032, Kyiv, Ukraine
  • Nataliia Demeshko R. Glier Kyiv Municipal Academy of Music, L. Tolstogo Str, 31, 01032, Kyiv, Ukraine
  • Liliia Mudretska R. Glier Kyiv Municipal Academy of Music, L. Tolstogo Str, 31, 01032, Kyiv, Ukraine
  • Iryna Polstyankina R. Glier Kyiv Municipal Academy of Music, L. Tolstogo Str, 31, 01032, Kyiv, Ukraine

Keywords:

Ukrainian composer, solo singing, folklore, musical language, musical ethnic elements, stylistic diversity

Abstract

The article is devoted to the study of the creativity of modern Ukrainian composers and the revealing of the types of new composer paradigms and techniques based on identifying the most characteristic features of each of them. The research made it possible to conclude that the chamber music art of the second half of the 20th century occupies an important place in the domestic Ukrainian culture and is characterized by stylistic diversity, revealing the individual creative styles of domestic composers. Each individual style of Ukrainian composers who worked in the field of chamber and vocal music of the new era was developed in the process of overcoming the dominant stylistic canons and, at the same time, kept the traditions of the past in its ‘memory’, becoming the result of artistic development, opening a new vision of the world.

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Published

2024-01-01

How to Cite

Oleksandr Zlotnyk, Svitlana Borysova, Nataliia Demeshko, Liliia Mudretska, & Iryna Polstyankina. (2024). Academic Legacy of Modern Ukrainian Composers-Songwriters (Chamber and Piano Works). Kurdish Studies, 12(1), 2656–2667. Retrieved from https://kurdishstudies.net/menu-script/index.php/KS/article/view/1555